Since childhood, I’ve had occasional vivid dreams — the kind that are so weird, or colorful, or fantastic that they woke me up. When I started writing poetry (also as a kid), I thought those dreams and their images belonged in poems.
The dreams seemed so meaningful to me. So I wrote.
Later, more than one poetry teacher told me to ditch the dream poems — they didn’t mean anything to anyone but me. The teachers were right: without a context, dream images don’t translate very well for an audience. Of course, if you’re writing only for yourself, that’s different.
But dreams can work well for an audience in fiction and in creative nonfiction writing. They work as long as we make clear that they are, in fact dreams, and connect them to our stories and the people in our stories. I’m not a dream-interpreter, but when people reveal their dreams to me in real life, I feel as if I’ve gotten inside their heads a little. I feel I know them better.
Readers of both fiction and nonfiction want to know the people — or characters — in the stories they read. Reading a good book, we actually crave that knowledge, especially knowledge of a character’s motivations and how those motivations interact with plot. It’s why we stay up past our bedtimes and keep reading. We’re trying to figure out what will happen next.
Some literary theorists believe we read fiction to exercise the part of our brains that guesses at motivations, and that our brains have been programmed by evolution to want to guess at motivations.
Lisa Zunshine, in her book, Why We Read Fiction: Theory of Mind and the Novel, applies this idea specifically to novels, although I believe it can apply to any kind of writing that includes characters. She argues that understanding motivations, and then predicting behavior was an adaptive strategy for early humans seeking to survive and reproduce.
Zunshine’s theory is similar to Finnish psychologist Antti Revonsuo’s theory of dreams. Revonsuo believed that dreams were resulted from the brain practicing for flight-or-flight situations. In other words, our dreams are simulations of stressful situations we might face in real life.
Human beings have long believed dreams are powerful, either as predictors of the future, as revelations of past mysteries, as expressions of repressed wishes. They seem to come with a built-in significance.
For a writer of memoir or nonfiction, relating a dream can help to communicate something about motivation, or obsession, or desire. Instead of telling the reader “I felt trapped in my lifestyle,” I can show the reader how it felt by describing a dream related to that trapped feeling. Here’s an excerpt from one of my essays that attempts to do this:
Night after night, I dreamed of walking under streetlights in Boston, after the bars have closed, when the streets are deserted. I have trouble walking, but not the kind of trouble I had in the dreams of my twenties. In those dreams, my feet were as rigid and heavy as flatirons, and I couldn’t lift them to run away. In these new dreams, I’m drunk and wobbling. The busses have stopped running, and I stumble and curse, desperate to find a way out of Boston that will take me to the North Shore. I have to pee badly. I’m under the Southeast Expressway, surrounded by concrete Jersey barriers and I-beam steel, and there is no one to ask for directions, no taxis, no traffic. The city is silent. Should I walk up onto the expressway if I can find a ramp? Can I walk over the Mystic River Bridge because there are no cars? In the dream, I’m angry that the city is so hard to leave, and I never find the bridge.
In the context of the essay, this dream excerpt demonstrates, perhaps more vividly than reality could, how trapped I felt, and how frustrated. The dream itself may sound familiar to you — dreams about being lost and trying to find a way out of somewhere are common, as are dreams of trying to run with heavy feet. Perhaps they signal some common fear we share as human beings of being stuck in place.
What are some of your favorite examples of dreams in fiction or nonfiction? And what do you think about using dreams in your writing?